Document Type
Conservation Report
Conservation work becomes invisible the moment it is finished, and the next conservator has to know what was done before deciding what can be done. Gilded Art Works prints the record in the sequence the profession uses: examination, proposed treatment, treatment carried out, materials used, outcome and recommendations, each as a ruled section with a written prompt, over a reversibility declaration and signatures from the conservator and the owner’s representative.
Best for: Conservators who want their report set as a document rather than a word-processed file, and galleries or estates keeping treatment history on a valuable work.

What’s in the document
- Six numbered sections: examination, proposal, treatment carried out, materials, outcome, recommendations
- A written prompt under each heading stating what belongs in it
- Blanks for conservator, studio or institution, and accreditation
- Blanks for date received, treatment completed and examination method
- The objects treated printed with image, title, artist, year, medium and dimensions
- Reversibility declaration, with an express statement that the report is not an opinion on authenticity, attribution or value
- Signature lines for the conservator and for the owner’s representative
Why the record outlives the treatment
Every material introduced into an object — a consolidant, an adhesive, a varnish, a fill, a retouching medium — changes what a future conservator can safely do. Solvents that would once have lifted a surface coating may now dissolve a retouching applied thirty years ago. A synthetic resin that was standard practice in one decade may have cross-linked into something that cannot be removed in the next. Without a record, the next person is working blind on an object they are not allowed to damage.
That is why conservation documentation is written for a reader who does not exist yet and is expected to accompany the object permanently. It is also why the profession’s ethical codes treat documentation as part of the treatment rather than as paperwork about it. A treatment that was not recorded has, in the sense that matters to the object’s future, only half happened.
The six sections and what belongs in each
The sections print as ruled areas with a prompt beneath the heading. They are empty by design: the platform has no basis to write a word of a conservator’s findings, and a form that suggested content would be worse than one that does not.
- 1. Examination
- Method of examination, condition on receipt, and prior interventions identified. Record how you looked — raking light, ultraviolet, infrared, microscopy, X-radiography — because a later reader needs to know what could and could not have been seen.
- 2. Proposed treatment
- What was proposed, with the rationale and the alternatives considered. The alternatives are the part most often omitted and the part that most demonstrates judgement; they also document why a more interventive option was rejected.
- 3. Treatment carried out
- Each intervention performed, in sequence, with the date. This section prints taller than the others because it is the one that fills. Where the treatment diverged from the proposal, that belongs here as well as in section 5.
- 4. Materials used
- Every material introduced, by name and concentration, with supplier where relevant. Trade names alone age badly — formulations change and products are discontinued — so record the generic identity alongside the brand.
- 5. Outcome
- Condition after treatment, and any departure from the proposal with the reason for it. This is the section a client reads first and the one that closes the loop with section 2.
- 6. Recommendations
- Display, storage, handling and the interval before re-examination. A recommendation with a date attached gets acted on; one without a date becomes a paragraph nobody revisits.
The reversibility declaration
A fixed declaration prints below the treatment record: that all materials introduced are, to the best of the conservator’s knowledge, removable by means that will not damage original material, and that any irreversible intervention is identified explicitly in section 3. Reversibility is the profession’s central working principle, and stating it as a declaration puts the burden where it belongs — on the conservator to flag anything that does not meet it.
The same block states plainly that the report describes work performed and is not a statement of authenticity, attribution or value. Conservation reports are routinely misread as endorsements of all three, particularly by owners preparing to sell, and the sentence exists to stop that reading before it starts.
What it does not do
Nothing on this form is filled in for you. It is a structured blank, not a generated record, and the platform has no view on any object’s condition. It prints no photo-mounting zones; conservation photography — before, during, after, and under whatever illumination you used — is filed alongside, keyed to the document number in the footer. It does not date the phases individually, so put the date inside section 3 as the prompt asks. It does not cite a specific professional code by name, and it does not certify that a treatment met one; accreditation prints as a blank because it is the conservator’s to state, and it belongs to them rather than to the software.
Questions, answered
Does the report fill itself in from my records?
No. The objects treated print with their images and details from your artwork records; every one of the six treatment sections is a ruled blank with a prompt. The platform has no basis to write a conservator’s findings and does not attempt to.
Why does the materials section matter so much?
Because every varnish, adhesive, consolidant and retouching medium introduced changes what a future conservator can safely do. Record generic identity and concentration alongside any trade name — formulations change and products are discontinued, and a brand name alone can become unreadable within a decade.
Can the report include before and after photography?
Not within the document — it prints no photo-mounting zones. File conservation photography alongside the report, keyed to the document number in the footer, and reference it from the relevant section.
What does the reversibility declaration commit the conservator to?
It states that all materials introduced are, to the best of the conservator’s knowledge, removable by means that will not damage original material, and that any irreversible intervention is identified explicitly in the treatment section. It also states that the report is not a statement of authenticity, attribution or value.
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